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What’s Your Worldview?
Paintings & music album debut by Matthew Anderson, presented in conjunction with a virtual exhibition from Casa Equis.
I will be answering questions (English and Spanish) live with Casa Equis on their Instagram on Saturday, November 7th at 7:00pm CT / 8:00pm ET.
I share more thoughts on
Matthew Anderson (b. 1989, Indiana USA) is a visual artist, musician, and software director based in Mexico City.
His work focuses on making complex feelings and our often generationally inherited innate emotional responses accessible for processing, both for self and audience, through the playful expression of paint and song.
His upcoming debut album ("What's Your Worldview?") is composed of songs written through most of his 20's (2012-2019).
In this collection, released under the moniker Charles Arizona, he grapples with the "what" and "why" of new felt anxiety and depression, resulting substance dependence, love come and gone, and the role (and validity) of the version of Christianity deeply imprinted upon him by his family during childhood.
Charles Arizona was the email address of his grandfather.
This page serves to listen to each track from the album paired with paintings created over the same time period. These selected paintings can be further explored in a virtual exhibition hosted by Casa Equis.
I will be answering questions (English and Spanish) live with Casa Equis on their Instagram on Saturday, November 7th at 7:00pm CT / 8:00pm ET.
I share more thoughts on
Album Cover & Background
“What’s your worldview?”
2020 // Acrylic on Canvas // 40 x 60 cm // Buy it here
Artist Bio
Matthew Anderson (b. 1989, Indiana USA) is a visual artist, musician, and software director based in Mexico City.
His work focuses on making complex feelings and our often generationally inherited innate emotional responses accessible for processing, both for self and audience, through the playful expression of paint and song.
Album Background
His upcoming debut album ("What's Your Worldview?") is composed of songs written through most of his 20's (2012-2019).
In this collection, released under the moniker Charles Arizona, he grapples with the "what" and "why" of new felt anxiety and depression, resulting substance dependence, love come and gone, and the role (and validity) of the version of Christianity deeply imprinted upon him by his family during childhood.
Many compositions challenge the “either/or” duality of polar emotions (like happy or sad) and resolve with a firm hold on both feelings.
Charles Arizona was the email address of his grandfather.
Track 1 / 10
“Sleepy Weepy Head”
“I got stoned and ate raw spaghetti noodles and played computer games for a few weeks when I shut my company down last year haha.”
2019 // Oil on Canvas // XX x XX cm // Buy it here
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
Hunny, bunny, baby, please
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
To the city water main
(Ye dee dee da dee dee dee’s)
To the city water main
We’re deciduary [sic]
and I wish we were an evergreen
We fell apart
along with the season’s change
We’re deciduary [sic] and I wish we were an evergreen
We fell apart
along with the season’s change
Dee-da-dee-da
Seasons change
The seasons change
Track 2 / 10
“Still Life of Dead Plant on Green Table”
2019, Oil on Canvas, ## x ## cm
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
Hunny, bunny, baby, please
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
To the city water main
(Ye dee dee da dee dee dee’s)
To the city water main
We’re deciduary [sic]
and I wish we were an evergreen
We fell apart
along with the season’s change
We’re deciduary [sic] and I wish we were an evergreen
We fell apart
along with the season’s change
Dee-da-dee-da
Seasons change
The seasons change
Track 3 / 10
“Still Life of Dead Plant on Green Table”
2019, Oil on Canvas, ## x ## cm
Buy it here
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
Hunny, bunny, baby, please
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
To the city water main
(Ye dee dee da dee dee dee’s)
To the city water main
We’re deciduary [sic]
and I wish we were an evergreen
We fell apart
along with the season’s change
We’re deciduary [sic] and I wish we were an evergreen
We fell apart
along with the season’s change
Dee-da-dee-da
Seasons change
The seasons change
Track 4 / 10
“Still Life of Dead Plant on Green Table”
2019, Oil on Canvas, ## x ## cm
Buy it here
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
At the apiary
I was weak in my bees knees
Give me some honey, bunny
Honey, bunny, baby, please
Hunny, bunny, baby, please
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
Like a tributary
I’ve been pissin’ down my shower drain
The river flows
Into the city water main
To the city water main
(Ye dee dee da dee dee dee’s)
To the city water main
We’re deciduary [sic]
and I wish we were an evergreen
We fell apart
along with the season’s change
We’re deciduary [sic] and I wish we were an evergreen
We fell apart
along with the season’s change
Dee-da-dee-da
Seasons change
The seasons change
Matthew Anderson (b. 1989, Indiana USA) is a visual artist, musician, and software director based in Mexico City.
His work focuses on making complex feelings and our often generationally inherited innate emotional responses accessible for processing, both for self and audience, through the playful expression of paint and song.
His upcoming debut album ("What's Your Worldview?") is composed of songs written through most of his 20's (2012-2019).
In this collection, released under the moniker Charles Arizona, he grapples with the "what" and "why" of new felt anxiety and depression, resulting substance dependence, love come and gone, and the role (and validity) of the version of Christianity deeply imprinted upon him by his family during childhood.
Charles Arizona was the email address of his grandfather.